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LOUISE BOURGEOIS

Lisanna Wallance April 18, 2022

Louise Bourgeois was born in France 1911 to parents who ran a tapestry restoration business. Her father’s extended infidelity, and notably his affair with her nanny/English teacher left a particular mark on Louise, an alert young child who recorded everything in her diaries… She studied mathematics, but after her mother’s early death, switched to art. She studied painting and print-making and was later told by a teacher she was not a painter, but rather a sculptor. The gaps in her artistic timeline during the 1950s and 60s are due to her immersion in psychoanalysis, leading to her debut of strange, organic plaster sculptures in 1964, a step away from her earlier, totem-like creations. When Bourgeois turned 70, her career exploded onto the art world with her retrospective at the Museum of Modern Art in New York, fuelling a new confidence that led to the creation of her iconic spider sculptures and eerie hang man cells. Art for Bourgeois, continually probed questions of loneliness, jealousy, anger and fear. Art was a form of exorcism, “a guarantee of sanity”…

An now, an imagined interview with real quotes by Louise Bourgeois…

Who are you?
I am not what I am, I am what I do with my hands…

I am a searcher… I always was… and I still am… searching for the missing piece. Louise Bourgeois

Where did you come from?
I came from a family of repairers. The spider is a repairer. If you bash into the web of a spider, she doesn’t get mad. She weaves and repairs it.

I have drawn my whole life. My parents were in the tapestry restoration business, and as a young girl, I would draw in the missing parts of the tapestry that needed to be re-woven. My ability to draw made me indispensable to my parents.

“My mother was a restorer, she repaired broken things. I don’t do that. I destroy things. I cannot go the straight line. I must destroy, rebuild, destroy again. My rhythm is not the same. My mother moved in a straight line: I go from one extreme to the other.” –Louise Bourgeois

When my mother died, I fell apart. My father wanted to control me. As a consequence, I ran away to America.

I was a ‘runaway girl’ from France who married an American and moved to New York City. I’m not sure I would have continued as an artist had I remained in Paris because of the family setup. Louise Bourgeois

What is an artist?
An artist can show things that other people are terrified of expressing. – Louise Bourgeois

“To be an artist, you need to exist in a world of silence.” – Louise Bourgeois

What is art?
Art is manipulation without intervention.

Art is a guaranty of sanity. That is the most important thing I have said. – Louise Bourgeois

Why do you make art?
I have kept a diary as long as I can remember, and drawings are really another kind of diary.

My art is a form of restoration in terms of my feelings to myself and to others.

In my sculpture, it’s not an image I am seeking, it’s not an idea. My goal is to re-live a past emotion. My art is an exorcism, and beauty is something I never talk about. Louise Bourgeois

Every day you have to abandon your past or accept it and then, if you cannot accept it, you become a sculptor.

Look at it this way – a totem pole is just a decorated tree. My work is a confessional.

Are you a feminist?
The feminists took me as a role model, as a mother. It bothers me. I am not interested in being a mother. I am still a girl trying to understand myself. – Louise Bourgeois

What inspires you?
To express your emotions, you have to be very loose and receptive. The unconscious will come to you if you have that gift that artists have. I only know if I’m inspired by the results.

When I was growing up, all the women in my house were using needles. I’ve always had a fascination with the needle, the magic power of the needle. The needle is used to repair damage. It’s a claim to forgiveness. It is never aggressive, it’s not a pin. – Louise Bourgeois

Tell us about your ‘art’
A work of art does not need an explanation. The work has to speak for itself. The work may be subject to many interpretations, but only one was in the mind of the artist. Some artists say to make the work readable for the public is an artist’s responsibility, but I don’t agree with that. The only responsibility to be absolutely truthful to the self. My work disturbs people and nobody wants to be disturbed They are not fully aware of the effect my work has on them, but they know it is disturbing. – Louise Bourgeois

Then tell us about the spider…
The Spider is an ode to my mother. She was my best friend. Like a spider, my mother was a weaver. . . Like spiders, my mother was very clever. Spiders are friendly presences that eat mosquitoes. We know that mosquitoes spread diseases and are therefore unwanted. So, spiders are helpful and protective, just like my mother.


On fears…
Once I was beset by anxiety but I pushed the fear away by studying the sky, determining when the moon would come out and where the sun would appear in the morning

Art is restoration: the idea is to repair the damages that are inflicted in life, to make something that is fragmented – which is what fear and anxiety do to a person – into something whole. Louise Lourgeois

Advice?
One must accept the fact that others don’t see what you do.

I have been to Hell and back and let me tell you it was wonderful.

Tell your own story, and you will be interesting.

Don’t get the green disease of envy. Don’t be fooled by success and money. Don’t let anything come between you and your work. – Louise Bourgeois




In Photography Tags green

PAPER DREAMS OF AYUMI SHIBATA

Lisanna Wallance March 5, 2022

Imagine a world of fairytales come to life, of nature spirits, and enchanted forests. Cities illuminated by Moroccan stars and the glow of Parisian street lamps. Worlds so small they can fit inside a bell jar or notebook and others so large you can get lost inside. And what if we were to tell you these worlds were cut out of paper? Magic born from the blank pages of a book and woven from the purest of imaginations. Japanese artist Ayumi Shibata is the weaver of such worlds. She cuts from paper the most intricate miniature creations to immersive, life-sized installations. With her distinctly Japanese aesthetic and inspirations from “kami” spirits that reside in all living things, she breathes magical life into everything her knife touches. Writers and authors across time would agree that there is nothing more intimidating than a blank page, but for Ayumi, white paper is a portal into a world of dreams as endless as the imagination.

Origin Story…
“Because my mother is a quilt and patchwork maker, I started to play with needles, string and left over fabrics in her atelier shop and at home when I was a child. That is the foundation of my art. When I was a teenager, I got into music. I sang and wrote songs. Music was the way that I expressed myself at that time. When I moved to New York, I started to make art pieces by paper and taking a stained glass workshop. I enrolled in the Printmaking and Sculpture, Mixed media department for four years in the National Academy School in New York under Maurizio Pellegrin and Kathy Caraccio. During that time in NY, I had several group shows and two solo shows in soho,NY and Omote-sando, Tokyo. In 2015, I moved to Paris.”

On “Kami” Spirits…
“Kami” is the Japanese word that means god, divinity, or spirit, and it also means “paper.” In Japanese worship and in my religion of Shinto, invisible “Kami” spirits dwell in various objects and events, places, as well as in our houses and in our bodies. Ya-o-yorozu no kami, (which literally means eight millions of spirits, uncountably many spirits) who live together all around in Japan.”Kami”are connected to nature. They move freely beyond time and the universe. Also “Kami” dwell in paper. In the religion of Shinto, paper is considered a sacred material. I cut paper to express my thankfulness to the “Kami” spirits for having been born in this life. Each cut, each page is a prayer. My process helps me to be quiet and clear my mind in meditation or prayer. I purify my soul through the act of cutting paper. By interacting with the “Kami” spirit material, I can connect to this spirit world with our own.”

On Relativity…
“Everything in life is relative. When ants walk next to sky scrapers, they never realize what they are walking next to. When compared to a daisy, a sunflower appears to be giant, but when it lies amongst the old oak trees, it appears small and inconsequential. In the same way, scale and proportion are important to the viewers relationship and viewing experience. Large works of art invite the viewer to be swallowed by the visual world they are engaging with. Small art works keep the viewer in the position of an outside observer. We observe small works as if looking through a key hole into another world; constantly aware of our outsider status.”

Inspirations…
“I like to watch the lectures about theoretical physics and cosmology, I imagine myself traveling in another dimension or world. As I cut out each page by page, I create the multiple dimensions in my work. I am currently reading a book called ‘Le Citta Invisible” by Italo Calvino, and I imagine that I am traveling through cities in another world.”

On Paris and Identity…
“My experience in Paris has given me the opportunity to exchange and digest the variety of ways of thinking. spending my time in different cultures and customs expands my identity every day. Understanding others will help me to know more about myself. Spending time in different cultures, helps to remind me of my identity as Japanese.”

On Paper Secrets…
“Paper has personality, like humans. I communicate with it. It is important for me to understand the personality of each piece of paper. For example, the way the light effects it, the effects of the darkness, the thickness, the strength, how the humidity interacts with it, and what is it made of. I choose the paper for each project by considering its personality.”

In Photography Tags green
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FROM ART TO FASHION: JESUS RAFAEL SOTO

Lisanna Wallance March 2, 2016

Jesus Rafael Soto. Galerie Perrotin. Paris. From Art to Fashion Inspiration. Experiment #1

Not everyone agrees that fashion is art… it all depends on your definition of “art” after all–and fashion for that matter–and that’s messy ground to enter upon…but bridging the gap between fashion and art always leads to good things. Fashion has been inspired by art since the first runways, and done so in subtle nods to those designers’ most admired artists.

So in an homage to fashion and art and all that falls in between, this series illustrates the potential of merging these two worlds in my paying tribute to artists I love and admire. I translated the optical illusion sculptural creations of kinetic artist Jesus Rafael Soto into the language of fabrics. In this first edition, I have transferred his 3D sculptures (his sculptures are a 3 dimensional interpretation of his earlier 2 dimensional paintings) back into the 2D and onto the blank canvas of white cotton clothes using fabric paints.


“… In order to achieve abstraction, I thought it was important to find a graphic system that would allow me to codify a reality rather than represent it.”– Jesus Rafael Soto

“For me, Cubism was an exercise in construction, in the ordering a planes, a tool that helped me to translate the tropical light.”– Jesus Rafael Soto

In Photography Tags nature, manmade

IMAGINARY INTERVIEW WITH GUSTAV KLIMT

Lisanna Wallance March 2, 2016

Gustav Klimt ionised the female body and devoted his art to its representation, embellishing it in gold, depicting the breath of a woman’s love. The madonna and child, the enveloping embrace between a woman and her lover… a golden tear spilling onto a rose-flushed cheek… An homage to his work and a look beyond the veneer of gold in this imagined interview with Gustav Klimt derived from his own words…


An imaginary interview with Gustav Klimt…

Who are you?

Whoever wants to know something about me – as an artist which alone is significant – they should look attentively at my pictures and there seek to recognise what I am and what I want.

What do you want?

Truth is like fire; to tell the truth means to glow and burn

What is art to you?

All art is erotic…

How do you paint?

There is nothing that special to see when looking at me. I’m a painter who paints day in day out, from morning till evening – figure pictures and landscapes, more rarely portraits.

Where do you paint?

If the weather is good I go into the nearby wood – there I am painting a small beech forest (in the sun) with a few conifers mixed in. This takes until 8 ‘o clock.

After tea it’s back to painting – a large poplar at dusk with a gathering storm. From time to time instead of this evening painting session I go bowling in one of the neighbouring villages, but not very often.

What else do you do to relax?

True relaxation, which would do me the world of good, does not exist for me.

So are you always painting?

Today I want to start working again in earnest – I’m looking forward to it because doing nothing does become rather boring after a while.

Interesting how your portraits have become your best known work… Have you ever painted yourself?

There is no self-portrait of me. There is nothing that special to see when looking at me…

Your limitations?

I have the gift of neither the spoken nor the written word, especially if I have to say something about myself or my work. Whoever wants to know something about me -as an artist, the only notable thing- ought to look carefully at my pictures and try and see in them what I am and what I want to do.

What do you feel when faced with writing?

Even when I have to write a simple letter I’m scared stiff as if faced with looming seasickness.

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In Photography Tags green